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Aphro-Vx Series
Direct-X VST plug-ins
License : 1
 - Aphro-V1.5
- Aphro-V1.5 Quick
 - Aphro-V1.1
- Aphro-V1.1 Quick
The very first steps
STEP -1- : Selecting Presets.
STEP -2-
Setting the DRY Level (direct sound)
STEP -3-
Adjusting the WET Level (Gain of the reverb effect)
STEP -4-
Tweaking the PRE-DELAY
Factory bank (Preset List)
001 - R1 Plate 1
002 - R1 Plate 1 lake
003 - R1 Plate 1 mat
004 - R1 Plate 1 crystal
005 - R1 Plate 1 lead
006 - R1 Plate 1 anvil
007 - R1 Plate 2
008 - R1 Plate 2 lake
009 - R1 Plate 2 mat
010 - R1 Plate 2 crystal
011 - R1 Plate 2 lead
012 - R1 Plate 2 anvil
013 - R1 Large Room 1
014 - R1 Large Room 1 lake
015 - R1 Large Room 1 mat
016 - R1 Large Room 1 crystal
017 - R1 Large Room 1 lead
018 - R1 Large Room 1 anvil
019 - R1 Large Room 2
020 - R1 Large Room 2 lake
021 - R1 Large Room 2 mat
022 - R1 Large Room 2 crystal
023 - R1 Large Room 2 lead
024 - R1 Large Room 2 anvil
025 - R1 Small Hall 1
026 - R1 Small Hall 1 lake
027 - R1 Small Hall 1 mat
028 - R1 Small Hall 1 crystal
029 - R1 Small Hall 1 lead
030 - R1 Small Hall 1 anvil
031 - R1 Small Hall 2
032 - R1 Small Hall 2 lake
033 - R1 Small Hall 2 mat
034 - R1 Small Hall 2 crystal
035 - R1 Small Hall 2 lead
036 - R1 Small Hall 2 anvil
037 - R1 Medium Hall 1
038 - R1 Medium Hall 1 lake
039 - R1 Medium Hall 1 mat
040 - R1 Medium Hall 1 crystal
041 - R1 Medium Hall 1 lead
042 - R1 Medium Hall 1 anvil
043 - R1 Medium Hall 2
044 - R1 Medium Hall 2 lake
045 - R1 Medium Hall 2 mat
046 - R1 Medium Hall 2 crystal
047 - R1 Medium Hall 2 lead
048 - R1 Medium Hall 2 anvil
049 - R1 Large Hall 1
050 - R1 Large Hall 1 lake
051 - R1 Large Hall 1 mat
052 - R1 Large Hall 1 crystal
053 - R1 Large Hall 1 lead
054 - R1 Large Hall 1 anvil
055 - R1 Large Hall 2
056 - R1 Large Hall 2 lake
057 - R1 Large Hall 2 mat
058 - R1 Large Hall 2 crystal
059 - R1 Large Hall 2 lead
060 - R1 Large Hall 2 anvil
 other preset lists.
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Concept
Aphro-V1.5 adds new user controls to Aphro-V1 reverb. Aphro-V1.5 can replace the old Aphro-V1 without any
problem, your presets and your projects remain fully compatible.
Aphro-V1.5 now includes a L/R Mix, 3 global controls (size, time, damping) and 2 parametric EQs via CPi
Dialog Box.
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L/R Mix
Aphro-V1 implements a fully channel-independent algorithm thus applying a different
reverberation on left and right channels. This allows to keep the stereo image but it's sometimes not in
harmony with a real reverberation effect. If a sound is on the left you may want to hear the reverberation on
the left side and on the right side as well...
That's why there is now a L/R Mix control.
Room Size
This control allows you to reduce or increase the room size from 50% to 200%.
You must keep in mind that the reverb time remains constant when changing this room-size parameter. That's why
there is a time knob, to let you adapt the reverb time to the Room size, and find the best setting to get
realistic or unrealistic reverb effects (a bathroom with a "hall" type reverb time for example).
In the real world, when moving walls closer and closer, some bad resonance and special color might appear, but
it’s pretty well in harmony with a realistic feeling. A true reverberation does not always mean a good sounding
reverb. Be sure that some rooms have a really bad sound when playing drums, guitar or trumpet in.
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Reverb Time
This knob deals directly with reverberation rate and allows you to decrease or increase
reverb time from 50% to 200%.
This parameter may be modified without adjusting room size. In Aphro or in the real world, it is easier to
create more or less reverberation in a room than to modify the size by moving walls.
Damping
This last knob of the main graphic user interface provides a way to control the
damping behaviour over time, reflection after reflection.
However, the depth of this parameter will depend on the initial preset.
New CPi
Now the CPi dialog box implements 2 parametric EQs on left and right channels.
If the original CPi let you modify the frequency response of the input signal (before reverberation algorithm)
the two new EQs let you change the frequency response of the output signal (after the reveberation). This
allows you to give colouring to your reverb in a more efficient way, but it also enables you to correct the
frequency response by removing bad resonance.
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